Getting to Know French Country Fabrics
French Country fabrics as in Homespun linens, Indienne cottons and Toile de Jouy are not only beautiful to behold, touch and feel, but these French fabrics play a dominant role in expressing color and design, thereby lifting other elements in the room.
HomespunFrench Homespun is a name given to French Country fabrics weaved from flax, hemp or wool by rural peasant women in their homes during the 18th, 19th and early 20th century. The hemp and flax was home grown, then harvested, retted and spun, ready for weaving.
![]() The women would then spend winter evenings weaving on narrow looms by candle light, creating solid or striped and checked cloth to be used for bedding, towels, dish cloths, grain sacks and even clothing. The grain sacks would be weaved with a colored stripe pattern down the center or the sides, in order for the farmers to identify their sacks when they were returned from the mill. The weave, texture and natural shades of homespuns vary and are not as smooth and regular as industrial textiles. Did you know that the straw colored flecks seen in some homespuns are actually pieces of flax or hemp stalk woven into the textile?
Because of the narrow looms, the cloth was not very wide and therefore had to be joined with a seam to make larger pieces. So, if ever you visit a Brocante or antique stall and you find a piece of antique linen with a seam down the middle, you will know why.
![]() Kelsch cloth is another homespun textile mainly used for bedding. The cloth was sewn on three sides into an envelope with ribbon ties to close the open side. This envelope was then stuffed with straw or feathers to make pillows, eiderdowns and mattresses. Kelsch is made from flax or hemp and is emblematic of Alsace, a region in France bordering Germany. Woven in a plaid pattern, traditional colors are blue or red. Rather like Scottish tartans, patterns and colors identified the families they came from.
Homespuns have become treasured French Country fabrics to collect. When collecting French homespun linen, you are not only buying natural fibre textiles of plus minus a 100 years old that are still beautiful to behold and touch, but you are buying a piece of history and, in my opinion, honoring the women who spent so many countless hours, from sowing the flax and hemp seed to producing such fine cloth.
TickingToile a Matelas... simply meaning 'mattress cloth' and known to us as French ticking, has two distinctive stripe patterns. One being a design of narrow stripes similar to the traditional ticking used for Grandma's old feather pillows. Remember them? Traditionally the stripe was mostly blue or gray, but today there are various colors available.
![]() The second is a design of solid stripes in different widths, traditionally weaved from linen in a fine herringbone pattern. Most common stripe colors are blue, beige, old pink and taupe. Ticking can also be found with a small floral pattern on a solid background. French Country ticking is most attractive when used to cover squab and fitted seat cushions, especially for iron furniture.
Indienne derives its name from the beautiful and brightly colored flower and animal cotton prints, originally imported to Europe through the French East Indian Company from the Indian continent in the 17th Century.
Louis XVI proclaimed the factory to be 'Manufacture Royale de Jouy', and later Napoleon presented Oberkampf with the 'Legion d'Honneur' in 1806.
These fine examples, called Toile de Jouy, simply meaning 'cloth from Jouy', became the most quintessential of French fabrics.
The famous landscape monochromes were printed with figures in pastoral scenes, hunting scenes, chinoiserie, military triumphs, antique follies, and farm life, depicting vignettes of general life in the 18th and 19th century.
At first these French fabric designs seem rather simple with a limited color palette in either red, blue or violet among a few others, printed on a white or cream background. However simple these copper rolled prints may look, the fine line-work art and technique of the old timers were masterful, almost giving a 3D effect, which modern print mills are unable to match.
Oberkampf employed the finest designers and one of the best was Jean-Baptiste Huet, who drew one of the first monochrome Toile de Jouy patterns.
Sadly, after Oberkampf died the factory floundered without its founder's strong leadership and eventually closed down in 1843.
Toiles are still produced at present and whether reproduction prints, or modern twists, they are as popular today as they were over 200 years ago.
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